Dickinson's principles is clear: People ought to be comfortable with who and what they can be, and need not desire to be something completely foreign for many years. Just as the gentian can only be the gentian, so to can people only be what and who they're just, and there is practically nothing wrong with being one's self. In a third poem, Dickinson uses nature to help portray life and death. She commences with, "I'll tell you how the sun rose, - a ribbon each time. The steeples swam with amethyst, the news enjoy squirrels ran" (104). This first stanza is actually mean to symbolize birth and the beginning of life. The rising sun can be a common symbol for innovative life, and Dickinson employs it here along with the gentle innocence that "a ribbon at a time" conveys. To set off this stanza, Dickinson writes in a later stanza:

"But that the sun set, I fully understand not.

There looked like a purple stile

Which little yellow small children

Were climbing in the mean time

Till when they reached the other side

A dominie with gray

Put gently in the evening bars,

Together with led the flock gone. " (105)

The setting sun is utilized in this situation to symbolize death, the end of life here about this earth. This death is further reinforced in the next stanza when the dominie, or even clergyman, "put gently up the evening bars, and led the flock away" (105). The dominie is a direct parallel to Our god, leading the new recipients of eternal salvation away from earth and into Bliss.

Another element that could be identified throughout Emily Dickinson's poems is her mixture of traditional and unique perspectives on God and anniversary. A prime example associated with Dickinson's individuality and creativity in the field of religion is her poem "Some useful Sabbath going to church". This delightful work explains how rather then attending a Sunday assistance, Dickinson keeps holy your Sabbath by remaining at home. In one stanza, she explains her Sunday as a result of saying, "God preaches, : a noted clergyman, - along with the sermon is never longer; so instead of getting to heaven at last, I'm going all along! " (110). Using simple language and classy humor, Dickinson explains that the term of God doesn't need to be preached within a chapel, but can be bought at any walk of lifetime. God is portrayed for a personal and loving getting, contradictory to the Our god of fire and brimstone that was often preached during that nineteenth century. She additionally reveals an inner thinking of hers that, not like what was believed with her day, going to Heaven is not really an arduous task of trying not to sin or being a good person, but a process. "I'm going all down! " she proclaims with confidence and elation, as if she may be told by God that there's a place for her in His kingdom. This concept of eternity is a common recurrence in lots of of Dickinson's poems. Another piece which illustrates Dickinson's belief inside afterlife reads, "This world is not really a conclusion; a sequel stands beyond, invisible, as music, but positive, since sound" (135). http://stephanwhita219.insanejournal.com/1364.html